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Cruel torment, depraved violence, evil turns: where did TV’s real baddies go?

The Guardian Culture

Cruel torment, depraved violence, evil turns: where did TV’s real baddies go?

From Carrie’s bullies to Cathy Ames, sympathetic backstories have made villains boring. It’s time to bring back truly awful villains – in all their deliciously sinful glory The new Netflix adaptation of East of Eden largely sticks to the plot of the John Steinbeck novel. There are tweaks – the introduction of a wedding photograph, for example, which becomes a significant item – but otherwise, it is faithful to the book. That is, in terms of the plot. There has already been some discussion about what it has done to Cathy Ames, played with considerable ferocity by Florence Pugh. Cathy, who later changes her name to Kate, kills her parents by burning down the family house. She shoots her husband, Adam, and leaves her baby sons wailing and alone. She slowly poisons the brothel madam Faye, a woman who acts as a mentor to her and treats her as a daughter, while simultaneously tricking her into leaving her everything in her will. In the book, Steinbeck lets Kate reflect on killing Faye. She finds that she has “no feeling” about it at all. She is a brilliant, brutal character, but on television, she becomes something else: complicated. Her cruelty remains intact, but Pugh and showrunner Zo

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The Social Reckoning review – Aaron Sorkin’s jittery sequel with all-new evil puppet Zuckerberg

The Guardian Culture

The Social Reckoning review – Aaron Sorkin’s jittery sequel with all-new evil puppet Zuckerberg

Jeremy Strong’s slow-talking Facebook founder turns into a cameo, background to a thriller about a whistleblower that somehow never mentions Trump Here is a film for all those people who solemnly deplore social media in conversation but haven’t quite got round to deleting their accounts. Sixteen years have gone by since The Social Network , written by Aaron Sorkin and directed by David Fincher; this was the addictive, obsessive-compulsive movie about the birth of Facebook in Harvard’s macho-competitive cauldron of student sexism and nerdy self-pity, starring Jesse Eisenberg as the fast-talking, arrogant, not-necessarily-evil genius Mark Zuckerberg. Now Sorkin is back with a sequel of sorts, directing his own script – and now Zuckerberg is basically evil, but also weirdly slow talking, as if all the zinging, smart-alecky Sorkinesque dialogue energy of the first film has been siphoned away in early middle age and dispersed among the insurgents in the new cast. Sorkin’s jittery, funny, syncopated style is unmistakable, as distinctive in its way as David Mamet, although he has one joke about “spatula” being a Yiddish word that he has borrowed from Philip Roth’s Portnoy’s Complaint . It

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Freddie Jackson, romantic US singer with 10 R&B chart-toppers, dies aged 70

The Guardian Culture

Freddie Jackson, romantic US singer with 10 R&B chart-toppers, dies aged 70

Celebrated for his earnest, dextrous voice, Jackson crossed into the pop charts with the hits Rock Me Tonight (For Old Times Sake) and You Are My Lady Freddie Jackson, the US singer whose smooth and romantic take on R&B found a huge audience in the 1980s, has died aged 70. A statement from his family on social media reads: “Freddie was more than a legendary voice. He was a kind, generous soul who loved his fans, his family, his friends and his music with everything he had. For decades he gave us the songs that became the soundtrack to our love stories, our celebrations and our most treasured memories. That gift will live on for ever.” No cause of death was given. Continue reading...

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